A couple of mornings and a couple of evenings of filming down at Miami Beach by Ocean Drive with the Sony FS700 and the beta firmware for 4K raw recording with the Odyssey 7Q.
Shot at 4K at 50p, slowed down to 25p in post for slow motion. Also a few shots at 2K 200FPS upscaled in Davinici Resolve.
4K ProRes Proxy version of around 3GB is available for download on my vimeo page http://vimeo.com/bloomworld/miami
The raw is uncompressed Cinema DNG. There are no other options. There is no ProRes 4K as of yet. Hopefully soon as the raw it creates massive file sizes. Way bigger than the Sony raw option. 12 minutes = 512gb! OUCH! Terrific quality but that's too big for me. I cannot handle that size data.
Blog post with review coming shortly.
Sigma 18-35mm F1.8, Tamron 24-70mm F2.8, Canon 70-200mm F4. Metabones EF adaptor and Speedboster.
Initial colour correction in Davinci Resolve which was giving me some grief with the Cinema DNGs from the Odyssey. Audio wasn't linked and a shots just wouldn't play properly. Beta firmware don't forget.
Music courtesy of The Music Bed http:gopb.co/musicbed
Michael Cameneti "Forgotten"
Stock represented by www.stalkr.com
Philip Bloom is a world-renowned filmmaker who, for the past 10 years of his 30-year career has specialized in creating incredible cinematic images no matter what the camera. Some of his most iconic work was created with Canon DSLRs.